Daddio stars Dakota Jackson and Sean Penn. In a taxi. That’s it, that’s the film.  Directed by Christy Hall, Daddio shows the effects of a spontaneous encounter that leaves a lasting impact on both parties involved.

The film primarily takes place within the confines of a New York City taxi, where Johnson’s character, a young woman named Emily, strikes up an unexpected conversation with her cab driver, played by Sean Penn. The film begins as a casual exchange but soon delves into deeper conversation touching on themes of love, loss, vulnerability, and what it means to be human. 

Daddio’s strength, I would argue,  lies in its simplicity. Hall’s direction focuses on conversations and allows the characters’ stories to unfold naturally. The dialogue proves to be authentic, capturing those awkward moments, humor, and realness of two strangers opening up to each other.

Visually, Daddio is also simple with the majority of the film taking place within the taxi. Its intimate atmosphere keeps the audience’s attention on the characters and their growing relationship. The cinematography displays the gritty essence of New York City, providing a vivid backdrop to the unfolding drama.

In conclusion, Daddio is crafted to showcase the talents of its lead actors and the director’s eye for human experience. It’s not for everyone but those audiences who appreciate character-driven stories and the intricacy  of the  human experience. It’s a film that reminds us of the unexpected connections that can shape our lives in profound ways.